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He's proud and majestic, like a regal Arabian steed prancing with grace and elegance, yet able to reveal great power. [83] De Lucía posthumously won the Latin Grammy Award for Album of the Year for his album Canción Andaluza at the 2014 awards ceremony. Pohren said that de Lucía's performance "was brilliant technically, and played a meaningful, moving, traditional brand of flamenco that did not betray what Paco had in store for the flamenco guitar in the future. Francisco Gustavo Sánchez Gómez[1] (21 December 1947 – 25 February 2014), known as Paco de Lucía (IPA: [ˈpako ðe luˈθi.a]), was a Spanish virtuoso flamenco guitarist, composer, and record producer. Technically brilliant Spanish guitarist who worked with top flamenco artists and introduced countless innovations within the field. Only 1 left in stock - order soon. In Spain and Latin America, any of these children with common first names would be referred to as follows: '"Name of Child", (son or daughter) of "Name of Mother,"' or "Paco (son) of Lucía" in his case, instead of using the child's last name. $3.99 shipping. His collaborations with guitarists John McLaughlin, Al Di Meola and Larry Coryell in the late 1970s saw him gain wider popularity outside his native Spain. In 1992, he performed live at Expo '92 in Seville and a year later on the Plaza Mayor in Madrid. His 1980 album, Interpreta a Manuel de Falla, paid homage to the classical composer and flamenco enthusiast, while his 1987 album, Siroco, marked a return to pure flamenco. In 1979, de Lucía, John McLaughlin, and Larry Coryell formed The Guitar Trio and together made a tour of Europe and released a video recorded at London's Royal Albert Hall entitled Meeting of the Spirits. De Lucía reportedly suffered from headaches and backaches while performing because he found it difficult to improvise and follow McLaughlin and Coryell's advanced knowledge of jazz improvisation. In 1995, he and Bryan Adams recorded the hit song and video "Have You Ever Really Loved A Woman" on the soundtrack for the American film Don Juan DeMarco. Mercurio, Paolo (2014). [52] Eric Clapton and Richard Chapman described La Barrosa, a sweet alegrías played in B major, as, "full of effortless delicacy with cascading phrases. In 1996, his first "golden hits" album, Antología, was in the top 20 in Spain for at least 16 weeks, selling over 65,000 copies. Paco de Lucía was a pseudonym of Spanish virtuoso flamenco guitarist Francisco Sánchez Gómez (b. [37] Corea was a considerable influence on him in the 1980s and he and McLaughlin adapted a version of his piece Spain, performing it live together several times in the mid to late 1980s. Paco de Lucia brought the true flamenco -duende- to this magnificant piece, and listening to this performance is almost like being there. De Lucía made a cameo appearance, dressed as a Mexican guitarist, in the 1971 western Hannie Caulder, playing the melody of Ken Thorne's main theme over a string section. Paco De Lucia* ‎– Solo Quiero Caminar Label: Philips ‎– 810 009-2 Format: CD, Album Country: UK, Europe & US Released: Genre: Latin. At the age of 14 he made his first record with his brother Pepe, Los Chiquitos de Algeciras (Kids of Algeciras). "[17] Like many other flamenco guitarists he often played a Hermanos Conde guitar and had his own signature model,[95] but had a range of guitars in his collection. He appeared at the 49th Carthage International Festival on 31 July, playing at the Roman Theatre.[76][77]. [88], His album Fuente y Caudal (Fountain and Flow) has been cited by many to have changed the world of flamenco guitar beyond traditional flamenco culture. More Buying Choices $32.02 (8 used & new offers) En Hispanoamérica. A leading proponent of the new flamenco style, he was one of the first flamenco guitarists to branch into classical and jazz. A turning point in de Lucia's musical development came while on tour with Greco's troupe in North America. [25] Escudero was a major influence on de Lucía during this period, inspiring him to explore new possibilities for flamenco. Audio CD. Pohren said that de Lucía's decision to work with musicians like McLaughlin, Di Meola, Coryell, and Chick Corea must have been an "exciting and stimulating" experience for him, given their technical musical knowledge and ability to improvise and said that they carried him "so far afield that at times he must have been profoundly confused, a man running the risk of losing his musical identity. The event was broadcast on national WDR television. He was considered a master of rasgueados / picados and was capable of playing with blinding speed on the flamenco guitar. This recording is a live-on-stage performance from 1981 of three virtuoso guitarists playing as a trio: Al DiMeola, John McLaughlin and Paco de Lucia, letting rip with some astonishing (mainly Spanish-style) guitar music. [65] It is considered to be one of de Lucía's most complete and mature artistic statements.[66]. They met Esteban Sanlucar in Buenos Aires and Juan Serrano in Detroit, and during 1970 spent considerable time in New York City where they grew close to Sabicas and Mario Escudero, playing together into the night.[23]. "[22], Organizers began offering de Lucía lucrative contracts for concert tours in 1967, which he declined as he preferred to tour in company, which he did with his brother Ramón, de la Isla and other musicians. Paco de Lucía, nome artístico de Francisco Gustavo Sánchez Gomes (Algeciras, 21 de dezembro de 1947 — Cancún, 25 de fevereiro de 2014), foi um guitarrista espanhol de flamenco reconhecido internacionalmente. De Lucía recorded many albums with his brother, including Canciones andaluzas para 2 guitarras (1967), Dos guitarras flamencas en América Latina (1967), Fantasía flamenca de Paco de Lucía (1969), and 12 Hits para 2 guitarras flamencas y orquesta de cuerda (1969). [84] Shortly after his passing, the regional government of the Community of Madrid announced that the new northern terminus of Line 9 of the city's Metro system would be named after him as a tribute. "[37] This concerned de Lucía, who said in a late 1990s interview, "I have never lost the roots in my music, because I would lose myself. What I have tried to do is have a hand holding onto tradition and the other scratching, digging in other places, trying to find new things I can bring into flamenco. [35] He was invited by Al Di Meola to record on his "Mediterranean Sundance" piece for his album Elegant Gypsy. Tout au long de sa carrière, longue de plus de 50 ans, Paco de Lucia a reçu de nombreux prix et distinctions [B 63], [B 64], [140]. He trained with his father and brother from the age of five. [57][58] One track on the album, a tarantas, is dedicated to Sabicas. Paco de Lucía – Que Venga el Alba (Bulerías) YouTube MP3 Paco Peña – Cantes por Bulerías (Bulerías) live YouTube MP3 Paco Peña – Farolillos de Feria (Sevillanas) YouTube MP3 A master of contrast, he often juxtaposes picados with rasgueados and other techniques and often adds abstract chords and scale tones to his compositions with jazz influences. [30] The early influences of the traditional players became increasingly less apparent as de Lucía embraced jazz and other influences, creating his own voice and distinct style, yet never venturing too far from his roots.[30][6]. "[6] Atlanta magazine said, "The guitar, when used properly, can be one of the most haunting and beautiful instruments to create sound ... when he brushes his fingers across the strings, [he] can create some of the most incredible music. [31] De Lucía performed on an episode of Parkinson on BBC in the UK, in which Michael Parkinson said "a marvelous young musician who is making his very first appearance on British television. Paco De Lucía Con Orquesta De Cadaqués Dirigida Por Edmon Colomer: Paco De Lucía Con Orquesta De Cadaqués Dirigida Por Edmon Colomer - Concierto De Aranjuez De Joaquín Rodrigo ‎ (LP, Album) Philips: 510 301-1: Spain: 1991: Sell This Version [3], De Lucía was noted for his fast and fluent picados (fingerstyle runs). Yet, de Lucia did not completely forsake traditional flamenco. In 2010, he was awarded an honorary doctorate by Berklee College of Music in Boston,[73] and performed at the Montreux Festival. Born in Algeciras, a small city in southernmost Spain's Cadiz province, de Lucia was bred to be a world-class musician. The skill of these musicians is technically astounding, but don't be deterred: this music has warmth, humour and soul. De Lucía kehitti uuden flamencotyylin, jossa perinteiseen flamencoon liitetään muun muassa jazzvaikutteita. [98] In the same year, he was posthumously inducted into the Latin Songwriters Hall of Fame for his contributions to flamenco music. I have never studied music, I am incapable of studying harmony—I don't have the discipline, playing with McLaughlin and Di Meola was about learning these things. Paco de Lucía all, Official, Chords, Tabs, Pro, Power, Bass Tabs tabs including entre dos aguas, malagueña, tico tico, La Pantera Rosa, almoraima [64] In 1998 he released and produced "Luzia", dedicated to his dying mother (hence the Portuguese spelling of her name). [69][70], In 2005, he was nominated for producer of the year by the Latin Grammy for La Tana's "Tu, Ven a Mi",[71] which was De Lucía's first recording where he directed another artist since working on Camarón de la Isla's Potro de rabia y miel. [90] As a composer, de Lucía was the first Spanish artist to mix jazz with Andalusian music in a more or less systematic way. Available with an Apple Music subscription. A master of contrast, he often juxtaposed picados and rasgueados (flamenco strumming) with more sensitive playing and was known for adding abstract chords and scale tones to his compositions with jazz influences. Customers who bought this item also bought. 1972; Fuente y Caudal. Mastering the art of flamenco guitar by his 11th birthday, he made his public performance debut on Radio Algeciras in 1958. [2] He is noted for his innovation and colour in harmony and his remarkable dexterity, technique, strength and fluidity in his right hand, capable of executing extremely fast and fluent picados. It's almost like a lullaby. Ya echaba de menos hacer un disco . The rhythmic drive of the fast movements literally breathes within the beat, and the impassioned pathos of the Adagio makes … Despite considerable new interest in flamenco and de Lucía's playing generated by the album, traditionalist flamenco critics did not approve of the piece and hated that many people considered Mediterranean Sundance flamenco music and frowned upon de Lucía. [94] Despite these influences, according to the Jazz Times, "Most flamenco fans can trace the music's history to either Before Paco or After Paco. … He played a set with his brother Ramón, in front of a relatively young audience without the use of effects. According to Gerhard Klingenstein, top jazz musicians who appeared at the festival (i.e. As it is typical of Paco de Lucía's flamenco recordings, he explores different rhythms styles such as bulerías, rumbas and tangos, among others. The son of flamenco guitarist Antonio Sanchez and the brother of a flamenco guitarist, Ramón de Algeciras, and flamenco singer, Pepe de Lucia, Paco de Lucia extended the former accompaniment-only tradition of flamenco guitar to include deeply personal melodic statements and modern instrumentation. [34] He reportedly said that the human voice is "naturally too limited" and that he prefers the exploration of different instrumentalists; he also said a busy schedule was the reason for lack of recordings with singers.[34]. [91] This includes, but is not limited to, his collaborations with Di Meola, McLaughlin, and Pedro Iturralde.[92][93]. [19] He appeared at the 1967 Berlin Jazz Festival. "[47] In May 1986, he performed at the Centro de Bellas Artes Rock music festival alongside the likes of Earl Klugh, Spyro Gyra, and Dave Valentin. [17] In the early 1960s, de Lucía toured with the flamenco troupe of dancer José Greco. He died on February 25, 2014 in Playa del Carmen, Quintana Roo, Mexico. Una grabación en vivo es un lujo, puedes sentir la respiración de los músicos que están a tu lado, es espontáneo, festivo, te lo pasas bien. 03. Paco de Lucía was born on December 21, 1947 in Algeciras, Cádiz, Andalucía, Spain as Francisco Sánchez Gómez. This would be his last LP with a singer for at least 15 years. $104.99. 1976; Solo Quiero Caminar. His brother Pepe commented that de Lucía had quit a two-pack a day smoking habit 20 days earlier, and vowed to take up more sports activity after the death of his friend Félix Grande. Paco De Lucia, Al Di Meola and John McLaughlin - Mediterranian Sun Dance Performed LiveSubscribe for more music! Paco de Lucía (Nombre artístico de Francisco Sánchez Gómez; Algeciras, 1947 - Cancún, México, 2014) Músico español, considerado como el guitarrista flamenco de mayor prestigio internacional. Paco de Lucía was born on 21 December 1947[5] as Francisco Sánchez Gómez in Algeciras,[6] a city near the far southern point of Spain in the province of Cádiz. In a 1986 interview with Down Beat magazine, Di Meola said that the reason for the breakdown was that their performances were designed to "drive the audience berserk" with a display of astonishing virtuosity and that they had run out of new spectacular fast runs to impress the audiences. [87] His influence on flamenco guitar has been compared with that of Andrés Segovia's on classical guitar. [6] His next release, Fuente y caudal, acclaimed particularly for his Entre dos aguas, which has become arguably his best-known composition,[28] and also for Solera and Cepa Andaluza. They recorded ten albums together and received considerable acclaim. Almoraima by PACO DE LUCIA (2014-06-18) Paco de Lucia. Paco de Lucia, considered by his fans and critics to be the world's greatest flamenco guitarist, died Wednesday in Mexico of a heart attack. De Lucía also formed the Paco de Lucía Sextet in 1981 (which included his brothers Ramón and Pepe), and released the first of its three albums that same year. In 2004 he toured the United States and Canada with Seville flamenco singer La Tana,[39] but subsequently greatly reduced his live performances in public. [44] Paco de Lucía has also appeared as himself on television in documentaries and TV shows and accepted a position as a judge at Seville's 1984 Biena. 1967; Fantasia Flamenca De Paco De Lucia. 1973; Paco De Lucia En Vivo desde el Teatro Real. The son of flamenco guitarist Antonio Sanchez and the brother of a flamenco guitarist, Ramón de Algeciras, and flamenco singer, Pepe de Lucia, Paco de Lucia extended the former a…. [24] He began working with record producer José Torregrosa. [60], Until asked to perform and interpret Joaquín Rodrigo's Concierto de Aranjuez in 1991, de Lucía was not proficient at reading musical notation. "[53] "Gloria al Niño Ricardo" is dedicated to Niño Ricardo who was de Lucía's "first hero" of the guitar. Paco de Lucía nació en el barrio de La Bajadilla de la ciudad andaluza de Algeciras, un barrio popular y predominantemente gitano. On 30 August 1981, de Lucía performed a solo set at St. Goarshausen in Germany, where he performed Monasterio de Sal and Montino among others and later performed with The Guitar Trio. 4.7 out of 5 stars 13. De Lucía died of a heart attack on 25 February 2014, while on holiday with his family in Playa del Carmen, Quintana Roo, Mexico. Technically brilliant Spanish guitarist who worked with top flamenco artists and introduced countless innovations within the field. According to biographer Pohren, de Lucía was "fascinated with jazz" and held a deep respect for high-tech jazz musicians, regarding Di Meola, McLaughlin, Coryell and Corea as highly as musicians as he did his flamenco mentors. 1975; Almoraima. [16] A year later, he was awarded a special prize at the Festival Concurso International Flamenco de Jerez de la Frontera flamenco competition.[6]. The renowned guitarist died suddenly and unexpectedly of a heart attack in Mexico in February 2014; he was 66 years old. [5] In New York City in 1963, at the age of 15, he had his second encounter with Sabicas and his first encounter with Mario Escudero, both of whom became de Lucía's mentors and later close friends. [67] He continued to keep a holiday home in Mexico though and regularly visited with his family. El Mundo Flamenco de Paco de Lucia (Philips 63 28 025), 1971; Pepe de Lucia y Paco de Lucia (Triumph S 249 6202), 1972; Caminando (Polydor 813 488-1), 1983; El Orgullo De Mi Padre (Nuevos Medios NM 15 686 CD), 1995; Fosforito 1968-1972 EPs: Belter 52 190, 52 275, 52 361, 52 365; LPs: Belter 22 219, 22 360, 22 362, 22 587, 22 588 [39][86] He had a revolutionary influence on flamenco music both as a composer and otherwise. De Lucía lived for five years in Quintana Roo, Mexico, but returned to his native Spain in 2003 after professing to have become really tired with spending his whole life touring for six to eight months a year, getting up at the crack of dawn and living in hotels. [56], Although the sextet had declined after 1986, in 1990 they got together to record Zyryab, a groundbreaking Arabic flamenco/jazz album with jazz pianist Chick Corea and fellow virtuoso flamenco guitarist Manolo Sanlúcar. Paco de Lucía, who was born into a musical family and grew up to become one of the world's greatest guitarists, mastering flamenco music and finding new audiences by blending it with jazz and other genres, died on Wednesday in Mexico. Paco de Lucia - Entre dos aguas (1976) full video - YouTube "[32], In 1977, de Lucía married Casilda Varela, the daughter of General Varela and descendant to a powerful Basque industrialist Ampuero family; they had three children. His compositions La Cañada, the opening track, a tango called La Barrosa, an alegrías named after the Playa la Barrosa in the province of Cadiz, and Gloria al Niño Ricardo, a soléa, received considerable attention and are considered modern flamenco classics. Only 1 left in stock - order soon. Next. ‎The role of the flamenco guitar evolved considerably through the playing of Paco de Lucia (born Francisco Sanchez Gomez). [38] Paco professed, "Some people assume that they were learning from me, but I can tell you it was me learning from them. He released a "Golden" double compilation album in 1982, La Guitarra de Oro de Paco de Lucía, covering Paco's earliest recordings with Ricardo Modrego of Federico García Lorca songs to date, and featured two siguiriyas, a flamenco form in which he hadn't indulged in his recordings since 1972. [85], De Lucía was widely considered to be the world's premier flamenco guitarist and by many to be Spain's greatest musical export. "[39], Also in 1981, The Guitar Trio released one of their most successful records, Friday Night in San Francisco, which sold over 1 million copies and generated a significant interest in flamenco music in America and Europe. [40], In 1982, Paco put on a series of concerts with jazz pianist Chick Corea. [54][55] Several of his compositions from that album form the staple of his contemporary concert performances, and he often begins his concerts with La Cañada. Later, after learning to play the guitar and tasked with figuring out a way to bill himself, wanting to honor his Portuguese mother Lucía Gomes, he adopted the stage name Paco de Lucía. A statue is dedicated to his memory [102] in his native city of Algeciras, overlooking the harbour. He received acclaim for his recordings with flamenco singer Camarón de la Isla in the 1970s, recording ten albums which are considered some of the most important and influential in flamenco history.[4]. [61] Biographer Pohren, however, at the time of writing his biography in 1992, said that he was still not proficient and had found a bizarre way of learning the piece, locking himself away.[62]. Read Full Biography. Only 5 left in stock - order soon. [72], In 2004, he won the Prince of Asturias Awards in Arts, and on 23 March 2007, the University of Cadiz recognized de Lucía's musical and cultural contributions by conferring on him the title of Doctor Honoris Causa. The album is named after Ziryab, an 8th–9th century Shiraz-born poet/musician at the Umayyad court in Córdoba, credited with introducing to Spain the Persian lute, which evolved into the Spanish guitar—and according to some, established flamenco itself. [45], By the mid-1980s, both the Sextet and the Guitar Trio had reached its plateau and stopped performing together,[46][47] although de Lucía would continue to perform with McLaughlin as a duo across Europe in 1986 and later. [14], As also with Ramón, Ricardo was Paco's most important influence, and his first guitar hero; Paco said "all of us youngsters would look up to him, trying to learn from him and copy him. "[12], Flamenco guitarist and biographer Donn Pohren and record producer José Torregrosa compared Paco's relationship with his father to the relationship of Wolfgang Amadeus Mozart and Leopold Mozart in the way both fathers "moulded their sons" into becoming world-class musicians, and both continued to dictate even after the latter became famous. 100% Authentic Merchandise & Vinyl. [59] The album was critically well-received; Jazz Times praised the passion and rhythm of the musicians featuring on the album. Miles Davis, Thelonious Monk), profoundly influenced de Lucía, and sparked a fascination for jazz that remained with him throughout his life. Playing in the streets as a young boy, there were many Pacos and Pablos in Algeciras. Solo Quiero Caminar Paco de Lucia. "[29] The album also features several other tracks named after Andalusian landmarks, a theme de Lucía continued in his later albums. [21] Richard Nidel said that their partnership was "central to the history of flamenco in the last quarter of the twentieth century. The album was named after a former convent of the same name located about 21 kilometres (13 mi) from Algeciras on the road to Jimena de la Frontera, which had recently been converted into a hotel complex. Richard Chapman and Eric Clapton describe de Lucía as a "titanic figure in the world of flamenco guitar", highlighting his "astounding technique and inventiveness" and his broad range of musical ideas from other styles, such as Brazilian music and jazz. Siroco is often cited as his best album and one of the greatest flamenco albums of all time.[50][51]. [43], On his 1984 album, Live... One Summer Night, De Lucía not only played guitar, but also filled the role of producer. [16] In 1964, he met Madrileño guitarist Ricardo Modrego with whom he recorded three albums: Dos guitarras flamencas (1964), 12 canciones de García Lorca para guitarra and 12 éxitos para 2 guitarras flamencas (1965). Along with Rubem Dantas, he added its percussive elements and it became an essential tool of contemporary flamenco and later, other international musical trends.[101]. In 1989, de Lucía refused to perform at the bullring in Seville with Plácido Domingo and Julio Iglesias. "[87] In 2004 interview with El País he said "I have always found that the more technique you have the easier it is to express yourself. 21 Dec 1947 in Algeciras, Cádiz, Spain - d. 26 Feb 2014). Style: Flamenco. Paco de Lucía (alun perin Francisco Sánchez Gómez; 21. joulukuuta 1947 Algeciras, Cádiz – 25. helmikuuta 2014 Cancún, Meksiko) oli kansainvälisesti tunnettu espanjalainen flamencokitaristi. 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